Showing posts with label Win Win. Show all posts
Showing posts with label Win Win. Show all posts

Friday, November 18, 2011

Quick Takes: Paul, Scream 4, Win Win, Meek's Cutoff

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Dir. Greg Mottola
Put simply, Paul delighted the hell out of me. I was certainly not expecting the film to be this funny, warm and goofy. After the wildly successful comedies Shaun of the Dead and Hot Fuzz, Nick Frost and Simon Pegg are back and as endearing as ever. They are science fiction nerds who attend San Diego's Comic Con - their geek heaven - and embark on a road trip they will not soon forget. Seth Rogen voices the alien they run into, and Kristen Wiig, Jason Bateman, Blythe Danner and Sigourney Weaver add class and humor to this entertaining little adventure. A wonderful time with a superb cast.



Dir. Wes Craven
I admit it. I was a little stoked when I heard that Wes Craven was on board with writer Kevin Williamson for another sequel to the ailing Scream franchise. The surviving members of the previous films - Courtney Cox, David Arquette and Neve Campbell - were all back, too. Even after the disappointment that was Scream 3 (I barely remember a single damn thing about that film), I had relatively high hopes for Scream 4. I felt there was still juice left in the ol' Scream machine. Well, my hopes were somewhat dashed. It is definitely an improvement from the previous installment - there was plenty of humor throughout and I was pretty surprised by the killer's reveal. I do wish Scream 4 ended sooner, though. There is a scene in the kitchen (where the killer lies on the floor with the victims) that would have served as a terrific, edgy finale. But alas... the film took the safe, boring route and left a pretty sour taste in my mouth. I can't recommend it - it doesn't touch the original and its fantastic first sequel - but you can do much worse.


Dir. Tom McCarthy
Writer/director Tom McCarthy is three for three. His latest dramedy, Win Win, starring Paul Giamatti, is his most accomplished film thus far. I have enjoyed The Station Agent and The Visitor tremendously but Win Win digs deeper. There isn't a trace of cynicism in McCarthy's films and this is refreshing. He has such affection for his characters, especially in Win Win. Giamatti is a high school wrestling coach struggling with life's basic pressures, and when a disaffected teen enters his life, things start to look up. Giamatti is supported by the delightful Amy Ryan as his wife, Bobby Cannavale (fantastic here) as his overeager best friend, Jeffrey Tambor as the assistant coach, and newcomer Alex Shaffer, who nails his scenes as a conflicted kid with a troubled past. My buddy Pete goes further into the film here, but we're in agreement: Win Win is a terrific achievement.


Dir. Kelly Reichardt
As a fan of Kelly Reichardt's previous film, Wendy and Lucy, I was greatly anticipating Meek's Cutoff, her western about a trio of families who embark on a dangerous journey across the midwest. This film didn't move me nearly as much as her earlier film, but I appreciated what Reichardt was trying to achieve. She nailed her themes of isolation and perseverance in Meek's Cutoff. We witness the mundane and arduous tasks of surviving such a difficult journey. Who knew lowering wagons down a steep hill would generate such suspense? There's also a magnificent scene in which Emily (Michelle Williams, in top form as usual) comes into contact with a native American and runs to warn the rest of her crew. Watching her methodically load a shotgun is one showcase of the film's extraordinary attention to detail. Meek's Cutoff is very slowly paced, perhaps too minimalist for most casual viewers. It's certainly a little too low key for my own tastes, but I admired what Reichardt has accomplished here.

Thursday, March 31, 2011

Quick Takes: Win Win

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The new film from director Tom McCarthy (The Station Agent, The Visitor) is an unassuming, crowd-pleasing little gem – though not without its darker moments - that deserves to rise above the glut of lackluster spring releases clogging up theaters these days and find a welcoming audience. I thoroughly enjoyed this film, think you will too and urge you to go see it. Unfortunately, according to BoxOfficeMojo.com, it was on a paltry 23 screens this past week! Today it expands to a whopping 149 screens. How’s that for quality distribution? (For more on the subject see my companion post: A Win Win Situation?)

Similar to Mr. McCarthy’s two previous films, Win Win (2011) offers up a riff on the age-old theme: “don’t judge a book by its cover.” He has a knack for commingling characters from disparate walks of life – different cultures, different socio-economic backgrounds, different generations, etc. – and then forces them to come to terms with each other in
a way that underscores our collective humanity. There are no superheroes here, no effects, nothing even remotely showy; this is a modest, down-the-line character study that’s so intimate and honestly observed, so authentic feeling in its depiction of a rural East Coast middle-class lifestyle, and so effortless in its evocation of the trials and tribulations of mundane everyday life that I was warmed to the core.

Paul Giamatti, in yet another deft, deeply empathetic embodiment of the average schlub, anchors the film as Mike Flaherty, a small town New Jersey lawyer/high school wrestling coach who makes one bad, desperate decision and does his best to manage the fallout. Feeling the financial squeeze of our times, Mike takes on the legal guardianship of an aging client, Leo Poplar (Burt Young), whose mental capacity is slowly fading, in order to collect an extra $1,500 a month in income from Leo’s wealthy Estate. But Mike then shuffles him off to an assisted-living facility against his true wishes. When Leo’s grandson shows up, whose very existence Leo is unaware of, things get interesting.

Amy Ryan is wonderfully forthright as Mike’s wife and newcomer Alex Shaffer dazzles (in an incredibly naturalistic debut performance that’s aided by expert editing) as the wayward teen who's thrust into their lives. The less you know about it going in the better, but the movie is funny and tender, tragic when it needs to be and the execution is near flawless. I don't think it ever misses a beat. Jeffrey Tambor, Melanie Lynskey, and Margo Martindale round out the cast.

A special mention needs to be reserved for Bobby Cannavale who, as Mike’s best friend, Terry, takes your typical comic relief supporting role and colors it in with infectious energy and surprising hidden depths. Cannavale steals every scene he's in. Terry, a recent, heartbroken divorcé, maintains a cheerleader’s personality - he’s a dear friend who selflessly pumps up the confidence of those around him – but, to manage his inner emptiness, he takes pleasure in living vicariously through others. He’s the kind of boisterous lovable misfit you feel like you’ve known all your life, or at least have encountered and remember fondly. It’s a deliciously satisfying treat of a performance. I repeat: see this movie! 4/5

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